Texts – ArtScene Trondheim


Nora Krug had her international breakthrough with Heimat – a German Family Album, where she confronts her own family’s background during the Nazi regime. Her latest book Diaries of War, gives insight into the everyday experiences of a Russian artist and a Ukrainian journalist during the first year of the war in Ukraine.

Shrink is without doubt the exhibition’s attention-grabber, and rightfully so. It is delicate, imposing, physical, alienating, and intimate, all at the same time.

I wonder how she transfers her motifs to the canvas. How she knows where to cut each hole. I don’t understand how it’s possible to do this by hand, but I’m equally fascinated by the way mere holes of different sizes can add up to a picture.

Reviews, 03.05.2022

The exhibition is at its strongest at the point where the thread begins to fray and to expose the monument’s attempt to round things off, the point at which the viewer is invited to join an unresolved debate, a movement, to entertain doubt; to enter a conflicted space that acknowledges itself as already and always an arena of violence.

Trondhjems kunstforening has been sealed by Den norske idealstaten (The Norwegian Ideal State). Could an ideal ever be anything other than a simplification?

At first glance, the exhibition «Exotic Dreams and Poetic Misunderstandings – Still Life» by Lin Wang has the appearance of a mouth-watering banquet, but the more I have of it, the worse the aftertaste it leaves in the mouth.

The corona crisis, Oslo’s penchant for pompous, iconic buildings, and the uneven distribution of resources between the capital and the rest of Norway may all have helped to pull new patrons and private money into Trøndelag’s cultural sphere.