Interviews
Interviews, Märit Aronsson-Towler 26.01.2024
Nora Krug had her international breakthrough with Heimat – a German Family Album, where she confronts her own family’s background during the Nazi regime. Her latest book Diaries of War, gives insight into the everyday experiences of a Russian artist and a Ukrainian journalist during the first year of the war in Ukraine.
The recently opened PASS Center for Practice-based Art Studies at the University of Copenhagen is all about forging stronger reciprocal links between academia and the field of artistic practice. Rhea Dall interviews Mikkel Bogh, head of PASS.
Interviews, Märit Aronsson-Towler 31.08.2023
– The way I see it, art is a point of contact between people. For me, creating something always has to do with having an audience, says Margreth Olin in this interview about her film «Fedrelandet» («Songs of Earth»).
Joen Vedel believes that the debate about artistic research is rather boring and unproductive. Together with Nabil Ahmed at KiT, they call for the creation of new fantasies, motivated by the fact that there is no other solution.
Interviews, Intervju, Märit Aronsson-Towler 01.03.2022
I’ve implemented the traditional visuals of the Chinese landscape in my works, in a simplified and exaggerated manner.
Interviews, Märit Aronsson-Towler 21.01.2022
Choosing a material involves a lot of language and expressivity.
Architect Arild Eriksen has made a name for himself developing alternative forms of housing and social architecture. He runs the architecture firm Fragment Oslo and has recently completed a feasibility study in which he presents proposals for the construction of artist apartments with studios in Hovinbyen, Oslo’s largest ongoing urban development.
Interviews, Intervju, Eline Bjerkan 19.05.2016
When you look at a social engaged art work and you know ahead of time what you’re supposed to feel, what the right answer is, it isn’t, to me, the most interesting art.
Interviews, Intervju, Eline Bjerkan 16.03.2015
The upcoming event 10 working days, where shows, lectures, presentations and exhibitions are held in a rapidly order, one will try and find out what exactly is the role of art and the artist in a post-industrial society. Art Scene Trondheim invited Florian Schneider to elaborate:
The problem for social movements today is that they can have a fast growth and reach great strength, but they disappear as fast as they appear. Historically, they have more in common with the mob and social unrest than with activism.
